Rebeca Omordia, a Nigerian-British concert pianist based in London, is actively promoting African classical music to international audiences. Through her work, she aims to broaden the scope of classical music and provide a platform for African composers and musicians.
The African Concert Series, founded by Omordia in 2019, showcases African classical music, particularly works from the Nigerian Art Music School. The series gained significant recognition in 2023 when Wigmore Hall, a leading concert venue, awarded Omordia a residency, enabling the series to flourish and feature diverse African musical traditions, including performances with traditional instruments like the ojà flute and talking drums. The 8th season of the series is scheduled to launch at Wigmore Hall on March 21, 2026.
Omordia’s performances worldwide, including her African Pianism recordings regularly featured by the BBC, highlight the fusion of African and Western classical traditions. These recordings have contributed to reshaping perceptions of African classical music and demonstrating its potential.
Omordia’s contributions extend to Nigeria, where she is nurturing a new generation of classical musicians. She has frequently performed at and collaborated with the MUSON Centre in Lagos, a leading cultural institution and home to prominent figures of the Nigerian Art Music School, including composers Fela Sowande, Akin Euba, and Ayo Bankole.
On February 10, 2026, Omordia will present a recital and masterclass at the MUSON Centre. This event will provide students with an opportunity to showcase their skills and receive direct feedback from Omordia, refining their technique and performance style.
Rebeca Omordia will also visit Mountain Top University (MTU) in Lagos for an event organized by the Organ House Concert and Seminar Series. MTU is an educational institution actively involved in the development of Nigerian classical music. The Organ House Concert and Seminar Series is an interdisciplinary research initiative promoting music research, composition, performance, and the exploration of Nigeria’s musical heritage.
Omordia’s ability to blend African and Western classical music traditions has established her as an influential figure. Her performances, often featuring a mix of both traditions, demonstrate their potential for coexistence and mutual enrichment. Her return to Lagos underscores her commitment to bridging cultural gaps and promoting African classical music on a global scale.
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